Skylum Software Luminar 3.1.0 with Accent AI 2.0 photo editing software review

REVIEW – Recently, I had the opportunity to review Skylum Software’s Luminar Flex photo editing plugin which offered much of their full Luminar product’s AI-based (Artificial Intelligence) editing available in Photoshop or other supported software.  Skylum has been in the lab and has released Luminar 3.1.0 with their new Accent AI 2.0 logic for one-touch photo editing.

What is it?

Luminar 3.1.0 is an update to Luminar 3, a full-featured photo editing package with tools like clone and stamp, cropping, transformations, layers, lens correction, color adjustments and so on.  So what, you say?  There are a lot of tools like that, you say?  Yup – I agree with you.  They’re a dime a dozen. Just pick the one with the interface and price that make the most sense to you and cents to your bank account and edit away.  Of course, you will take a lot of time editing your photos, tweaking curves, balancing exposures, adding layers in various opacities to get the look you want.  Or…you can use Luminar 3.1.0.  Its full plate of AI-based looks makes one-touch image enhancement stupid-simple for those of us that don’t have the time to fiddle.  OK – I’m retired, so I have the time, but I have far better things to do.

Fair warning – this review is about photo editing software, so this is going to be photo-heavy.  Also, I left the photos large-ish, so you can get a better look at the results.

Design and features

Let’s get this out of the way right now – Luminar is a full-featured photo editing package.  It does all the things other editing packages do and does them all well.  It can add layers.  It can blend effects in a multitude of ways.  It can adjust exposure, color balance, contrast, brightness, tint, and so on.  It can crop, clone, transform, skew, and basically do anything to your images that you could want. Its interface is fairly good, but like Photoshop or any other heavy-duty tool, there is a lot to it and it will take some learning to get good at it.

Photoshop has several “automatic” fix tools that are pretty good at one-click image improvement.  Luminar takes that up a notch, or ten notches, with their AI-based one-touch tools. And, they provide a ton of ’em.  That’s what this review will focus on since that’s what sets Luminar apart from the competition.

Setup

After downloading the software, I installed it on my Microsoft Surface Book.

The installation was pretty standard until it asked for my photo library.  Since it asked, I pointed it to my library. Big mistake,  I have my photos on my Drobo 5N2 storage robot.  I currently have it populated with 5400 RPM disks.  Given that it is network-based, and has relatively slow disks, it simply isn’t that fast.  Add to that that I have over 160,000 photos on it, and I had to sit for a couple of hours while Luminar spun through them all, building a catalog.  Note to self: point it a small folder and add catalogs for specific subjects!

Once it finished, I created a new catalog for images for this review. As you add new images to a cataloged folder, Luminar automatically adds them to the catalog, so they show up the next time you open Luminar.

Here are the minimum requirements:

System Requirements for Mac OS

  • MacBook, MacBook Air, MacBook Pro, iMac, iMac Pro, Mac Pro, Mac mini
  • Processor Intel 64-bit Core 2 Duo or better
  • Memory 8 Gb RAM or more
  • macOS Mojave 10.14, High Sierra 10.13.1, Sierra 10.12.6, El Capitan 10.11.5
  • Hard disk 10 GB free space, SSD for best performance
  • Display 1280×768 size or better

System Requirements for Windows

  • Windows-based hardware PC with mouse or similar input device
  • OpenGL 3.3 or later compatible Graphics Cards
  • Processor Intel Core i5 or better
  • Memory 8 Gb RAM or more
  • Operating System Windows 7 (only 64-bit OS), Windows 8.1 (only 64-bit OS), Windows 10 (only 64-bit OS)
  • Hard disk 10 Gb free space, SSD for best performance
  • Display 1280×768 size or better

I ran tests on my Microsoft Surface Book with 8GM RAM, Core i7-6600u 2.6GHz processor and Win 10 Pro 64-bit. Based on the requirements, my laptop is at the bottom in terms of RAM, but better than the minimum processor speed.  While I have an SSD, as stated above, my images are on network attached storage, so I pay a performance hit there as well.

Performance

When I chose images for this review, I decided to grab a selection of pretty good images, and some pretty bad ones, in terms of lighting and contrast.  If we’re going to have AI do the heavy lifting here, let’s see how intelligent it really is.

I created a new catalog for these images and let Luminar grab the images once I copied them into the catalog.  Luminar has a complete suite of image management tools that include folders, where Luminar can manage your image folders and albums, where you can put similar images from different physical folders – think playlists in iTunes.

I also decided to try the batch processing option to get an idea of how practical that process is.  If Luminar really bills itself as easing photographer’s workflow, it should actually make that workflow easier!

The batch processing window has a couple of default options to export images for email or the web.  You get to decide what family of “looks” filters, and the specific AI filter to use when each image is processed as well as the level of the filter’s strength, from 0% to 100%.  You pick the output destination, naming options, output file format, quality, and color space.  Finally, you can resize the images with a variety of sizing or edge-binding options.

Given the limitations I have on my laptop, after grabbing eleven images for this review and choosing the Essentials collection AI Image Enhancer look at 100%, high-quality JPG output, setting an 800-pixel long-edge resizing and firing it up, I was prepared to sit and wait.  I was pleasantly surprised when just about 90 seconds later, my images were all exported.  Let’s see how they turned out.

Image 1

Let’s start with a shot of my wife & me in front of the London Eye.  The lighting was horrific and the image was dark and flat. We were in shadows and are quite dark.

After processing, you can see how much richer the sky looks and we are brightened considerably.

To my eye, our shirts are a little over-boosted and have a bit of red tint added to our faces.  This is easily controlled by dialing back the filter from 100% to perhaps 75%, but since I processed this all in batch mode, it was what it was.

Image 2

Here we are at the Tower of London on a cloudy day.  We are backlit and pretty dark and the overall image is flat with little contrast.

After processing, contrast is up and everything looks much sharper. The traces of blue that were actually in the sky are now visible and our faces are brighter but like Image 1, have a red tint.

There was only so much Luminar could do lightening our faces. I would have to spend time in a new layer and process that layer with our faces independent from the rest of the image.

Image 3

London Bridge on a beautiful day.  Colors look pretty good, but a little flat, compared to what the eye sees – a typical limitation of cameras.

After processing, everything is boosted and richer. This should be a postcard!  The algae just above the waterline is now visible, where it fell off in the shadows in the original image.

Image 4

Stonehenge. Another partly cloudy, low-contrast day.  Colors are all muted and the stones look flat and featureless.

After processing, contrast is improved and colors are boosted.  I’m not as thrilled with how the stones were rendered as they are now darkened and some detail is lost.

Image 5

Here we are on a formal night on a cruise.  Overall, I thought this looked pretty good straight out of the camera.

After processing, I do like the brightened shadow area in my tux, but I think some of the colors in my wife’s dress are a tad over-boosted.  Like other images, there is a bit of red introduced in our faces.

Image 6

Another horrible image out of the camera.  These Barbary macaques on Gibraltar were posing perfectly but there was no light on their faces.

After processing, the detail in their faces comes out as well as detail and color in their fur and detail on the wall

Image 7

This is a bull ring in Malaga, Spain.  Straight out of the camera, colors are flat and the image is pretty low contrast.

After processing, the image pops. I really like how this turned out.

Image 8

Here we are, overlooking the marina in Monaco. This image looks pretty good out of the camera as the lighting was good and the sun was high, providing good contrast.

After processing, the sky and water are enhanced but my shirt, that was pretty darn bright already, is a bit overblown. The red tint we have been seeing on skin is there, but not as pronounced in this image as in previous ones.

Image 9

This is a view of Cassis, France from a bluff.  There was a bit of light haze that day, making it difficult to get a really great photo.

After processing, the filter took care of the haze and really made this look great!  Look at how it pulled the light purple out of the shadows on the plant in the lower right.

Image 10

Here we are in the Caves of Drach in Porto Cristo, Mallorca, Spain.  This is underground with limited lighting and no flash.

After processing, everything is lightened up.  While there is red/yellow tint, that is mainly due to the incandescent lighting, not the AI filter.  I would take more time to edit this image, removing the color cast in Luminar – a very simple task.

Image 11

We had yet another beautiful sunset a couple of days ago, so I ran outside with my phone and took this. My Galaxy S9+ did an admirable job but failed to really capture the depth of colors I saw with my eye.

After processing, I now see pretty much what I saw with my eyes outside that evening.

I want to reiterate that all examples here were processed with me doing exactly no work at all.  I just put them in a folder, chose a couple of options and came back two minutes later to complete, resized, processed images. Even with multiple images with really poor lighting and exposure, Luminar did a pretty good job rendering usable images, and in the worst cases, would only take a tweak or two to finish up.

What I like

  • A plethora of included, AI-based looks – about 70 different looks
  • Comprehensive manual image tools
  • Complete control over how much each look adjusts the images
  • Beyond simply scaling back on the filter, you can also tweak how it gets applied with the updated Accent AI 2.0 slider
  • Comprehensive file naming tools for batch processing

What needs to be improved

  • The interface takes some learning, but that’s pretty much the case with any image editing tool with this much power.  Overall, Luminar does a good job being easy to use once you spend some time with it.
  • Filters at 100% seem to over boost pretty regularly
    • This can be mitigated by scaling back from 100% filter application
  • When exporting images, either directly or as a batch, there is no option to save the file in its original folder – that would be a nice option, especially with all the batch renaming and overwriting protection options

Final thoughts

Overall, I am pretty impressed with Luminar 3.1.0 and its ability to improve images with a single touch.  In addition, the variety of provided looks, from artistic to dramatic to simple to complex is impressive.  The amount of power it brings to improve your images is terrific, especially at its price point.

If you are looking for a tool that can definitely help you process your images to get them to look like what you envisioned when you hit the shutter release, Luminar 3.1.0 should be on your short list of tools to consider.

Price: $60; $69 with a Photography 101 online class; $129 with the Photo 101 class plus Aurora HDR editor
Where to buy: Direct from Skylum Software
Source: The sample of this product was provided by Skylum Software.

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Skylum Software Luminar 3.1.0 with Accent AI 2.0 photo editing software review originally appeared on The Gadgeteer on May 7, 2019 at 12:00 pm.

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Landscape Pro Studio Max 3 photo editing software review

REVIEW – When taking outdoor pictures, you are generally limited to several conditions such as the weather, the lighting, and even the environment itself. You might have your camera and tripod ready but the conditions can become unfavorable. Sometimes, it’s like mother nature just isn’t co-operating when you want to take those landscape pictures. With Landscape Pro Studio Max 3, now you can tweak your landscape photos to compliment or help fix your image to really make them stand out.

What is it?

Landscape Pro Studio Max 3 is a creative editing software for photographers of any level to help enhance and process their landscape photos.

Installation Requirements

  • 1GHz processor or faster recommended.
  • 2GB RAM minimum recommended.
  • Windows 10, Windows 8, Windows 7, Vista or macOS (10.7 or later)

Design and features

What Landscape Pro from Antropics Technology can do for you is help spice up the landscape pictures you take and make them more dramatic by adjusting specific areas in your pictures such as the sky, grass, ground, mountain, water, and more. This software allows you to individually manipulate and fix the selected areas and helps give them a little punch to brighten, sharpen, or add color. Landscape Pro can also straighten images as well as add watermarks and it can also add realistic atmosphere like fog or rain. There is also a feature to remove unwanted objects in your photo, as well. I am very impressed with what this software can do.

If you are not familiar with Anthropics Technology, they are the makers of Portrait Pro which is a powerful editing software for portrait photography. I had a trial of an earlier version of Portrait Pro a few years ago and although it had a few small bugs,  it is very impressive, to say the least. So, it is only natural that Landscape Pro is just as intuitive as Portrait Pro and just as impressive.

Landscape Pro uses advanced image recognition technology to target certain areas that you select on your image. In conjunction with the image recognition, Landscape Pro has many included Presets for the selected areas along with a slider interface to make adjustments and fine tune the areas. It’s all very responsive when making the adjustments and the results are instant. One of the popular features is the Sky replacement with 150 built-in Preset skies to choose from. Believe me when I tell you that there are plenty of skies to select such as clear and cool cloudless skies to dark and dramatic cloud-filled skies. You even have the option to import your own sky picture, too.

To begin editing, you just drag Labels onto specific areas of your image. For example, if you want to change the look of the sky in your image, then you would drag the Sky Label onto an area of the sky in your picture. If you want to adjust the water in your image, then you would drag the Water Label onto the water area in your picture. Want to edit the trees in your picture? Just drag the Tree Label to a tree. Drag the Mountain Label to a mountain in your picture, and so-on and so-forth. There are plenty of Labels for areas in your picture that you can use.

As soon as you are finished labeling the selected areas that you want to edit, then the real fun beings. Whether you choose the Presets or just go straight to manually adjusting your image using the Sliders in the Side Panel. Keep in mind that you will eventually be using the Sliders in the bulk of your edits to fine tune your image. The Side Panel is where all the options to edit your image are grouped. The one-click Presets get you started with a certain look in the areas you selected and then you can go in with the Sliders to tweak the Presets you selected.

Landscape Pro does a great job of reading the elements in your photo like the sky, water, sand, trees, people, etc. to help analyze the scene. And not only can Landscape Pro adjust isolated areas in your photo but it can change the overall mood and feel of the entire image. One of the main features that Landscape Pro has is its Lighting feature. What it does is analyze your picture’s scene and the elements within your photo so that it can make the proper natural 3D adjustments to the lighting as it would be in real life. So, as you move the light source in the picture, the corresponding highlights and shadows move when you adjust the light source. This can add some really nice dynamics to the overall look, mood, and feel of your photo.

Depending on how much editing you want to do to your picture is up to you. You can use Landscape Pro to just tweak a little bit to enhance your photo or you can go overboard and totally change your entire image to make it look like a fantasy dream world. It’s all up to you and what you want to create.

Landscape Pro can be either used as a stand-alone program or as a plug-in filter in Photoshop or Lightroom. I prefer using Landscape Pro as a standalone program because when I used it as a Photoshop plug-in filter the export seems to take a fairly long time for the edits to render out. Whereas, when I use it as a standalone, the export was significantly faster. However, keep in mind that unlike some third party plugin exports, Landscape Pro’s edits don’t show up in a separate layer. The edits were applied directly to my original image. If you are like me and prefer to do non-destructive editing in Photoshop, then it’s probably best to make a copy of the original image and use that one to edit with Landscape Pro. It’s just good practice to never edit the original image.

I noticed that when I used Landscape Pro as a plug-in that the rendering from the Save and Close option is super slow versus if I just did the editing inside Landscape Pro as a standalone program.  When I used Landscape Pro as a standalone program, there was virtually no render time like there was when I use it inside Photoshop. Now, keep in mind that there may be factors on your computer such as RAM, processor, graphics card, etc that may affect the render speed. However, as far as I know, it just may be something in Photoshop that may be the culprit because everything was working just fine except the render speed after I clicked “Save and Close” in Landscape Pro. It literally takes two to three minutes to see the filter applied to my image. Now, the processor on my computer is an Intel i5 2.70 GHz with 8 gigs of RAM and my Dell All-In-One computer may not be the fastest out there but in no way is it slow.  I normally can edit all day with Photoshop and Capture One and never experience any lag.

There are two other versions of Landscape Pro: the Standard and the Studio. Below is a chart that compares the two versions to the Studio Max.

Installation

Installation was very easy. I just downloaded the software from the Landscape Pro website, installed the software and then input the token (activation code/license) that I received. Software installed without any problems. Landscape Pro Studios max 3 is available for both Mac and PC.

What I like

  • Very responsive and fast edits.
  • Numerous Presets to incorporate into your photos.
  • Instant preview inside the Sections of the Side Panels.
  • High Resolution Output Images
  • Works with RAW and DNG formats.
  • Can be used as stand-alone or a plug-in.
  • Video tutorials available on the Home page.

What needs to be improved

  • Couldn’t find a setting to turn off the Help dialog box which pops up when you are in the Side Panel area.
  • Smaller detailed areas are difficult to select and edit.
  • Filter rendering in Photoshop was very slow.

Final thoughts

As someone who takes plenty of landscape photos, whether traveling on vacations, road trips, and even in my hometown, I always want to take the best photos I can right out of the camera. But sometimes I can look at an image I took and decide that I wish it had a little more to it; maybe a little more pop to the picture. Whether I want the image to somehow jump right out into the viewers face or if I just feel like the image needs some tweaking, I found that using Landscape Pro Studio Max 3 is a great tool for enhancing my landscape photos. Using this software was fairly quick and easy. Plus, I really liked seeing the different modifications of my images inside the program so I can make choices right on the fly. I know I will be using this software now and in the future for many of my photos.  Not only will I be editing some of my older landscape photos but I can’t wait to get out there and take more landscape photos. I definitely know that I will have more landscape photos to print and hang on my walls after a little tweaking from Landscape Pro.

Price: $119.95
Where to buy: Landscape Pro Website
Source: The sample of this product was provided by Anthropics Technology.

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Landscape Pro Studio Max 3 photo editing software review originally appeared on The Gadgeteer on April 21, 2019 at 8:20 am.

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Skylum Software AI-powered Luminar Flex one-touch photo editing software review

REVIEW – Cameras today are amazing. Phone cameras, point-and-shoots, mirrorless, and full-on DSLRs all produce pretty jaw-dropping images, right out of the camera, all on automatic.  You can certainly tweak them in-camera by changing ISO, aperture, shutter speed, and white balance, but that definitely requires a deeper knowledge of photography and the specifics of your camera. Let’s face it – sometimes, you only have time for a quick snap before you lose the image completely. In those cases, especially in difficult lighting conditions, you get fair images, but they can be better.  That’s where Luminar Flex comes in.

What is it?

Luminar Flex is a plug-in for Photoshop. Photoshop Elements and Lightroom Classic for Windows & MacOS, Apple Aperture, and Photos for MacOS.  It offers artificial intelligence (AI) driven, one-touch image improvement with a wide variety of styles available, along with creative control of almost all aspects of how the filters are applied.

What’s in the box?

Actually, there isn’t a box.  The software is available as a download.  Once downloaded, it installs pretty much like most software.

During the installation process, it identifies your installed software and presents a list of supported packages.  You choose which ones you want the plugin installed to.

Design and features

Luminar Flex’s biggest nicety is a large number of preset AI-driven styles.  These don’t do anything that you can’t do yourself in Photoshop. What it does do is take potentially dozens of steps and reduce that to a single click to get the results you want.  For the purists out there, this might not be what they want.  There are some photographers that want to control every single aspect of their edits and are willing to take the time and effort and to get those results.  For most of us, however, Luminar Flex makes simple work of getting terrific results quickly and easily. And, for the purists, once they see how Luminar Flex applies styles, and the tools it provides to tweak the process, they might get onboard as well.

Luminar Flex installs both as a plugin and as a standalone package.  You have the option of editing single images or applying a style to batches of images.

Running the package directly, you get that option at startup.

If you are already editing an image in Photoshop (or another supported software), you access the plugin via the Filter menu.

Performance

Either way you open an image, you are dropped into Luminar Flex’s main editing window.  It defaults to a results view where you see the results of the applied style.  I used the split view where you see a side-by-side before/after view.  You can move the slider back and forth to see before and after really easily.  I liked this feature a lot. Before is on the left and after on the right.

For this sample, I used the Warm Sunset style.  The default is to apply the filter 100%.  The selected style (along the bottom on the right) shows a slider where you can reduce the intensity of the style until you get something you like. To change styles, just click on a style window along the bottom.

Once you get what you like, clicking the Apply button on the upper right applies the changes and returns you to your image editing software. If you are editing via the standalone app, you can export the image as a JPG, PNG, TIFF, JPEG-2000, Photoshop or PDF image. You can resize on export, apply additional sharpening, change color space, and resolution.

There are over 50 preset styles that can attack whatever issues you need to improve in your image. They are AI-driven to analyze your image and make smart adjustments to improve contrast, bring out details, enhance the sky and foliage, reduce haze, reduce color casts, simulate a polarizing filter to eliminate reflections and so on. Filters are grouped as:

  • Professional
  • Portrait
  • Landscape
  • Creative
  • Aerial
  • Black and white film emulsion
  • Analog

In addition, you have complete creative control. On the right side of the screen is a complete palate of image controls where you can manually adjust nearly every part of the image enhancement process. You can apply different style filters in different layers, blending them to get really impressive results.  In addition, you have complete control over how the filters are applied by changing blending modes.  The bottom line here is that while it is one-touch simple, you also have complete creative control.

All this sounds great, in theory, but what really matters is how the end results look.  Let’s take a look and see how Luminar Flex did.  Because the vast majority of casual photographers out there will likely use presets as they are delivered in the software, I used preset filter styles without applying different layers or blending modes.

Images

Here are three images.  The left image is right out of a drone with difficult lighting.  The middle was a one-touch edit with another of Skylum’s tools, AirMagic plugin for drone photography.  The right image is from Luminar Flex’s aerial improvement filter.

Luminar Flex added richer colors in the sky and water.  I was pretty impressed.

Here is a side-by-side using Luminar Flex’s black and white filter.  It did a great job choosing appropriate levels for the individual colors, rendering light and dark areas very well.

This image of an eagle stealing lunch from an osprey is straight out of the camera.

After applying Luminar Flex’s detail improvement filter, the details are much sharper and really pop.

Here is a view looking north from the Panama Canal.  Overall, I thought this image looked pretty good.

After running it through Luminar Flex’s sky enhancer, the image jumps off the screen. The sky was really that blue, but limitations on how a camera averages a scene produced the somewhat flat image above.

Here’s another side-by-side example where Luminar Flex really pulled details, especially in the sloth’s fur, that are hard to pick out in the original. It also improved contrast in the leaves without making the colors unnatural.

This is another example of color and contrast improvement.  This is Curacao on a semi-cloudy day.

Luminar Flex enhanced the colors, water, and sky, making the image look more like what it looked like in-person.

I was pretty impressed with this edit.  Here is a great horned owl, right out of the camera on automatic, with terrible back-lighting, confusing the camera into severely under-exposing the image.

Using the Analog-1 filter, not only did it bring out the detail in the image, but it did an amazing job protecting the subtle details by not blowing out the already overblown sky. If you look just to the right of the owl and the leaf pair, you can still see a little strand of Spanish moss that I would have expected to be lost in processing.

Finally, one more example of Luminar Flex’s ability to really get details in your images tack-sharp.

After processing, everything looks sharper, has more contrast and a nice, warm glow.

What I like

  • The wide variety of included and available filters
  • Simple operation
  • Availability of full-range editing control

What needs to be improved

  • It was a little slow, taking perhaps 30-45 seconds to export on some images, but that may be due to my Surface Book’s limited 8GB of RAM.
  • The names of the individual filters don’t necessarily tell you what it will do – most are descriptive, but not all, so some experimenting is required

Final thoughts

Luminar Flex is a dream tool for the lazy photographer.  It can take mediocre images and make them good, and good images and make them great. It does all this without requiring the user to have a deep knowledge of image editing, making powerful image processing accessible to a wide audience. But, if you want to really get into the nitty-gritty, Luminar Flex has all the tools for that as well, making it an editing expert’s dream tool as well.

Price: $70 for the basic version; $79 (limited time offer) includes additional Signature Looks;  $109 includes Signature Looks and Landscape Course video learning course
Where to buy: Direct from Skylum Software
Source: The sample of this product was provided by Skylum Software.

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Skylum Software AI-powered Luminar Flex one-touch photo editing software review originally appeared on The Gadgeteer on April 15, 2019 at 10:51 am.

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Skylum AirMagic drone image editing software review

REVIEW – Drones.  Love them or hate them, they’re everywhere.  If you have one, you probably like taking photos, but they don’t always look awesome, since you are at the mercy of Mother Nature and her available lighting at the time of your flight.  If you’re gifted at Photoshop, or some other image editing software, you can usually tweak your images into something that matches your vision.  For many hobbyists, photo editing remains a mystery.  Skylum is here to save the day with AirMagic drone photography software.

I was given a chance to play with a pre-production version of AirMagic, so some of the features, or specific commentary may or may not match the production version, but it should be pretty close as I encountered no issues with this version.  With that said, let’s take a look.

What is it?

AirMagic is software designed specifically to modify images taken by drones.  Silly, you say?  What’s special about drones?  Like any other camera, drone cameras have their own unique personality. The specifics of the sensor, lens distortion and other parameters all contribute to little things in images that can be corrected.  Drones, with their overhead perspective, bring another variable into play, especially when photographing architecture.  AirMagic can read the metadata that is automatically attached to your drone images and apply corrections specific to your drone model.  AirMagic was able to detect that my images came from a DJI Mavic Pro and Mavic 2 Pro.  I was not provided a list of supported drones, but I expect most popular consumer drones will be supported.  Even if your drone isn’t directly supported, you will still benefit from the general image enhancements.

AirMagic’s big differentiator is that it is AI-powered, meaning that the software will make enhancement decisions based on each individual image, applying different corrections to each image to deliver the best possible images.

What’s in the box?

The software was made available as a download.  AirMagic will be available for Windows and Mac platforms.

Setup and installation

For Windows, AirMagic requires:

  • Win 7,8,10  64-bit
  • Open GL.3 or later compatible graphics card
  • Intel Core i3 or AMD Athlon 64 processor, 2 GHz or faster
  • 4GB RAM, 8 GB recommended
  • 1024 x 768 display, 1280 x 800 recommended
  • 4GB hard drive space, SSD recommended
  • DirectX 10 compatible video adapter
  • Internet access for registration and access to online updates

Setup on my Surface Book was simple and pretty standard.

Design and features

Once you open the software, you can either drag photos or a whole folder, directly onto the welcome screen or click the Open button to browse and select images.

AirMagic supports RAW, TIFF, JPG and PNG file formats and images of 800 x 600 or larger.  Once you open your selected images, AirMagic presents you with a thumbnail view of all open images. At this point, you can just click the “EXPORT <x> PHOTOS” button on the bottom right and let the software work its magic with default settings. It will process all open images in one shot.  Basically, it’s one-touch image enhancement.  Tell it to go, and come back in a few minute to improved images.

If you double-click on an image, it starts an open process where AirMagic analyzes the image.

The AI process provides multiple statuses along the way like “Lens correction”, “Looking for skies”, “Looking for haze”, “Detecting scene objects”, “Doing some magic”, and “Final touches to make it awesome”.  It is processing multiple parts of the image individually using its AI engine:

  • Color recovery
  • JPEG artifact fix
  • Foliage enhancement
  • Auto color temperature
  • Auto lens correction
  • Smart dehaze
  • EAW processing
  • Sky enhancement
  • Exposure compensation
  • Natural light correction
  • Noise reduction
  • Tint perfection

Once done, the image comes up with a slider that allows you to see the before and after images, side-by-side.

The above screen capture shows how the software enhanced the sunset image with me providing exactly zero input.  It made its own decisions on everything.  You can see how the sunset is only slightly enhanced, but the ground detail and colors were significantly updated.  To my eye, it essentially was able to apply a high dynamic range (HDR) effect without me having to supply three or more images, all with different exposures.  Pretty cool.

If you click on the paintbrush button, you get a slider that allows you to decrease or increase the effect. By default, it is set to 60% boost.

The button on the bottom left opens a palette of styles.

The different styles, left to right, are: no style, Chinook, Cinematic, Emotional, Sandstorm, and Zephyr.  There is no description of what each one does, and there is no online help yet, since this is pre-production software. According to the documentation, these five styles performed better than any others in testing, so they are included.  Essentially, the AI chose the best styles.  I didn’t see a whole lot of difference in the default style and Chinook. Cinematic boosted blue levels. Emotional seemed to increase color saturation.  Sandstorm lowered color saturation and flattened the image. Zephyr was similar to Chinook, with slightly muted colors.  The plus sign on the right allows you to purchase additional styles from Skylum’s online marketplace.

When you go to save your images, the software gives you a menu with a single option to save to disk.  The fact that there is a menu suggests that there may be other options in the future.  Choosing to export to disk brings up a standard save window with location, filename, multiple format choices and a quality slider, if your output format supports it.

Advanced Settings gets you a treasure trove of options.

First, you can choose your output file folder and select to warn before overwriting an existing file.

Next, you can do file renaming, changing the prefix of the name, the base filename, or suffix.  I added a suffix of “airmagic” and when I exported, all my images were named <original filename>_airmagic.jpg.  The LETTERS options allow you to change the case to all upper or lower case.

Like in the basic export window, all file formats are available here as well.

Beyond file formats, AirMagic allows you to change the color profile.  Basically, a color profile defines how colors are managed in the image, and therefore, in image editing software, displays and printers. For most users, sRGB, the most widely used color space, especially on the web, should be your go-to choice.

There is a really nice sizing section. You can ensure that you save in the same size as the original image, or, resize by providing a long-edge or short-edge measurement in pixels.  The software will scale the image to keep its original proportions.  You can also prevent the software from enlarging your image, if you provide a long-edge or short-edge measurement that would force enlargement. You can also resize to specific dimensions, but it will skew your image if your dimensions are different than the original image.  You can’t make a 600 x 300 image scale to 800 x 600 without distortion.

Finally, there are a couple of presets provided on the left side, Web JPG and email.  These presets have all the settings, other than file location and filename, to optimize the image for the web or for email.  You can create your own presets as well, which can really streamline your workflow.

OK, enough about how to use it.  Does it work?  In a word, yes.  But, your mileage may vary.  Photography, and image enhancement is an intensely personal thing. What looks good you one may drive another to distraction.

Here are a variety of examples with several different types of lighting. All image pairs have the original on the left and the automatically enhanced image on the right. All images were processed with the default, no style setting.  I didn’t change anything, other than the output filename.

Water – a lot of it.  I liked this outcome.  The software did a great job making the colors richer and improving contrast.

The homestead.  Again, colors boosted, contrast improved.  I like the sky – it really looks like that here.  The golf course looks perhaps a little too boosted to my eye, but that can be adjusted easily. It’s really more of a preference than a criticism.

A sunset. I like the sky. It looks more like what I saw with my eyes.  I like the fact that the ground is also visible, where it was a mottled mess in the original.

A scenic hill. This one was a bit more subtle. I like the deepened color in the river and improved detail in the sky and trees.  I was impressed with this, given the challenging direct lighting on the left side.

A view down the river. The glare on the water is gone, revealing the nice blue water.  The sky, which was cloudy and blown out in the original now appears flat and featureless, which is what it looked like that day.

The alma mater.  Again, this one is subtle, since the original looked pretty darned good.  Slight tweaks to improve color saturation and contrast make the enhanced image pop more than the original.

The old neighborhood.  Again, subtle.  There is more saturation in the grass and better contract, making the houses pop.

Another lake image.  Again, nicely improved color saturation, although it did add a touch of blue tint to some of the white buildings.

Finally, another lake image. This one really jumped out for two reasons.  First, what it did to the lake was awesome.  Look at the improved detail under the water in the bottom left.  Second, look at the blue tint added to the white building in the upper left.

What I like

  • Easy, one-click image enhancement for single images or batches of images
  • High-quality output
  • Tons of options for saving images
  • Ability to tweak the final image with a side-by-side view
  • Can be used as a plug-in in Photoshop CS5 or higher and Lightroom Classic CC

What needs to be improved

  • Several images exhibited a blue tint, especially visible on white structures
  • Sometimes, the colors can seem overblown and tweaking means having to process images individually
  • An explanation of the output styles would be nice

Final thoughts

Skylum’s AirMagic is an intriguing addition to their existing AI-driven software portfolio that includes Luminar photo browsing and editing software and Aurora HDR photo software. For drone enthusiasts, and those that use drones professionally, like real estate agents, being able to whip through enhancing a batch of images with a couple of clicks makes AirMagic a compelling choice.

There will be a free version available with no batch processing, output file size limitations, no plug-ins and watermarks applied in addition to the full-featured paid version.

Price: $39 for activation on two devices
Where to buy: skylum.com – pre-orders begin March 7, 2019
Source: AirMagic was provided by Skylum

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Skylum AirMagic drone image editing software review originally appeared on The Gadgeteer on March 7, 2019 at 9:00 am.

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Wondershare Fotophire Image Editing Software review

REVIEW – Photo editing can be drudgery unless you were raised as a graphic designer using Photohsop (like me). Even then, it can be tedious. Today we’re checking out the Wondershare Fotophire Image Editing Software, which combines a whole bunch of image editing features in one package. It’s simple to use, automates a bunch of the work for you, and has a ton of features that don’t require deep graphic experience to execute. Let’s learn more. To the review!

What is it?

It’s a set of tools that allow you to edit & manipulate your photos including filter effects, image enhancements, color correction, background removal, cropping, and the ability to remove unwanted objects.

Software specs

There are three tools included in the Fotophire editing toolkit:

  • The Photo Editor provides basic editing (like cropping, flipping), 200+ filter effects, focus blurs & vignettes, color correction, and more.
  • The Photo Cutter enables you to remove or replace backgrounds in pictures with a set of smart tools that automate the process.
  • The Photo Eraser automates the process of removing unwanted objects from your photos, including watermarks and date stamps.

I’m testing the Windows-based version of the package, but an Apple OS version is also available.

Design and features

The Wondershare Fotophire Image Editing Software kit provides a suite of tools that allow you to manipulate your photos for professional quality results using a series of easy to use, intuitive interfaces that don’t require extensive graphics experience to master. You’ll start by firing up the toolkit launcher, which gives one-click access to each tool:

The first tool is the Photo Editor, which offers a HUGE range of filters and effects. Your photo is presented in an interface that uses a combination of intuitive icons, menus, and excellent help tools guide you through their use:

The effects menu provides over 200 canned filters you can apply for different photo treatments. I chose a random effect to give the whole photo a purple filter here:

The cropping function, available from all three tools, provides a set of pre-packaged sizing/aspect ratio options, which can then be dialed in with on-screen controls:

If you want to do your own color adjustments, you can forego the pre-selected filters and create your own. There’s a whole subset of tools to adjust color balance, tone, contrast, color saturation, etc. You can save these preferences for future use, and even apply them for batch processing later.

Blurs and vignettes enable you to create focus areas in your image. I added a creative blur here, setting the radius and depth of the filter with my mouse to focus on the parrot and blur the rest of the image. As with other effects tools in the package, everything works with friendly and self-explanatory sliders and onscreen tools that are quick and easy to master.

After making those adjustments, I added a frame from another preset menu of options, and then applied a texture to the whole picture.

These samples only scratch the surface of what the Image Editor can do. Color management and tone controls are really deep. You can add text, flip photos, add blends, and more. You can also set the view mode to arrange the desktop with before and after previews if you like, and save your settings for future use or batch processes. It’s an impressive set of features compared to many photo editing apps out there. And the speed is excellent. I ran my tests on an older Windows 10 machine, and saw virtually no lag from application to execution of any of the effects.

The Photo Cutter tool employs a simple, user-friendly automated feature to remove background elements from your photos for isolating the main subject matter. There’s a handy tutorial that takes you through the process the first time.

To use the tool, you’ll start by drawing lines on your image through the areas you want to remove. As you add these lines (shown in red below), the preview shows you what areas are being eliminated from the photo. If you lose too much of the key image, you can go back and highlight areas to include in the finished piece (shown in green). Adjustment sliders allow you to refine the selection process to accommodate the depth and complexity of the original image.

Once you are happy with the preview, press the “erase” button and the background just… disappears.

The finished art is rendered on a separate layer, and you can add in a different background if you like:

In my previous life I spent many, many late nights doing detailed image cropping and background removal in Photoshop… I can tell you that I would buy this package just for this tool. The automation is really good. You will always have challenges with images that have very similar tones, but most of my testing was spot-on in one or two attempts. And the speed is, once again, excellent for a complex task like this.

The Photo Eraser is the final tool in the package. Basically, it acts like an automated “clone” tool used in other photo editing programs to remove unwanted objects. The “Erase” tool lets you set the size of spots on the screen (in red below), and the software will basically blend the surroundings to eliminate the image in the spots. Like so:

You can also do your own cloning, basically copying an area of the image to another to blend out unwanted objects. I removed the buildings behind the monument hereby extending the foliage in the picture. I exaggerated it a bit so that you can get an idea for how it works:

Of the three tool sets in the Wondershare Fotophire package, this is probably the weakest one in my opinion. The interface is great and responsive, but I found that the automated cloning feature is not always as accurate. It’s nice to have in the package, but doesn’t need to stand on its own… this tool could probably be worked into the Image Editor as opposed to standing as its own app.

While the Wondershare Fotophire package isn’t as robust as a fully-functional commercial image editing tool like Photoshop, I think it ticks off just about all the boxes if you are actively publishing photos online on a regular basis. It does each job very efficiently, and it doesn’t require a steep learning curve to produce professional-looking results.

What I like

  • Simple, well designed, intuitive interfaces
  • Snappy performance
  • Excellent help and tutorial support
  • Robust feature set for a photo editing package

What needs to be improved

  • The Photo Eraser tool could be improved, or even integrated in the Photo Editor tool for simplicity

Final thoughts

I think the Wondershare Fotophire is a good value for what you’re getting. A lot of photo editing tools are extremely limited in scope and capability, requiring you to buy a combination of tools to get what you need if you are frequently posting images. The Fotophire package gives you just about everything you need for essential image manipulation in one package, and you don’t need deep graphics experience to use it.

Price: 1 year license for $49.99, lifetime license for $79.99
Where to buy: Download the demo and purchase at the Wondershare Fotophire web page.
Source: The sample of this product was provided by Wondershare

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Wondershare Fotophire Image Editing Software review originally appeared on The Gadgeteer on August 29, 2018 at 11:00 am.

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