Master & Dynamic has tattoo-inspired headphones designed by Scott Campbell

Master & Dynamic’s gorgeous line of headphones continue to be reworked by famed designers—this time by bicoastal tattoo artist, Scott Campbell. Campbell has woven his fascination with snakes into the design of M&D’s MW60 Wireless and MH40 headphones—each adorned with hand-painted art by Campbell. The black on white or white on black reptilian motif gives the phones a distinctive, if slightly menacing look right down to a Campbell quote inside the ear cups, “The smartest things I ever did were stupid things for love.”

“I have always thought Scott’s work was quite genius. When I met Scott in Hong Kong, I learned we shared a willingness to take risks in pursuit of our dreams, even if it means sometimes making mistakes. Through this collaboration Scott can share his art more broadly with his fans, whether or not they are collectors of his fine art or tattoo enthusiasts,” said Master & Dynamic’s Founder and CEO Jonathan Levine.

The Scott Campbell inspired MW60 Wireless and MH40 are identical in design and price to the original M&D iconic headphones. The MH40 and MW60 are available now and sell for $399 and $549 respectively. Visit www.masterdynamic.com for more info.

Shinola Canfield over-ear headphones review

I am a wireless sports earbud kind of guy. Their take anywhere, tiny form factor enable me to have them with me at all times during my hectic lifestyle whether I’m on a plane or pounding pavement. Though occasionally I want to trade their portability and durability for better sound and build quality. The Shinola Canfield Over-Ear headphones fit this bill nicely. Let’s see if the Candfield’s material, build, and sound quality live up to their premium price.

What is it?

Shinola is a homegrown, US company based out of Detroit that manufactures high quality luxury items…everything from fine watches to hand-built bicycles. Recently I reviewed their New York MS3 Manhattan folder which continues to be my favorite pocketknife and top review item of 2017. During my research, their Canfield Headphone Collection caught my eye. Shinola’s dive into personal audio was years in the making, engineering and fine tuning the Canfield collection using quality materials, polished design, and excellent audio engineering resulting in a product that not only turns heads but sound great as well.

Design and features

The Canfield headphones are designed, assembled, and tested in Detroit. The Canfield over-ear headphones are big, gorgeous, and well made with meticulous attention to detail and quality. They’re a beautiful mixture of stainless steel and leather with a very nice quality weight to them.

Specifications:

TRANSDUCER TYPE
50MM Shinola Dynamic Transducer
HEADPHONE STYLE
Closed-back, Circumaural Ear Cushion
FREQUENCY RESPONSE
20 – 24,000 HZ
NOMINAL IMPEDANCE
41Ω
SOUND PRESSURE LEVEL
102 DB ±3DB/MW @ 1KHZ
TOTAL HARMONIC DISTORTION
1% THD @ 1KHZ
EFFICIENCY
115 DB SPL/V @1KHZ
WEIGHT (WITHOUT CABLE)
0.99 LBS
DIMENSIONS 6.9″ x 8.3″ x 1.7″ | 17.5cm x 21cm x 4.3cm

In the Box:

  • Canfield over-ear headphones
  • Cable
  • Carrying case
  • Instruction manual
  • Certificate of Authenticity

Build Quality:

The Canfield over-ear headphones are the finest made headphones I have ever used or even seen. They have an old-world vibe/charm reminiscent of the “good old days” when products were well made and built to withstandthe test of time. The combination of polished and brushed stainless steel look great together with the black leather.

Soft, supple full-grained leather covers the cushioned headband. While initially comfortable, (according to Shinola) the headphones will become more so over time as they wear in. As you can see, the exterior leather is well stitched and finely finished.

The interior leather is a medium gray with additional padding stitched into the top inside.

Initially adjusting the Canfield headphones took a decent amount of force. After a few weeks of use, the assembly became easier to adjust while still remaining where you move it to.

Sound Quality:

Shinola has done a good job of creating a set of headphones with clear, detailed audio performance. Overall, the Canfield over-ear headphones have a solid balance across the spectrum, the highs and mids were crisp and defined with the low end not overstated. The bass is not overbearing as some other headphones but more than solid, which is definitely my preference. I listened to various types of music (from jazz to the 1812 Overture), watched movies & Netflix shows, and took calls…all of which sounded great.

The Canfield headphones have a 50mm dynamic transducer with a frequency response of 20Hz to 24,000Hz.

Shinola tunes and tests every pair of their over-ear headphones in their Detroit factory.

“The Shinola Sound Signature is rich, warm and expansive”.

And overall I agree.

The memory-foam ear cups are covered in soft lambskin and are held in place magnetically. The lambskin feels great against your skin. The magnetic ear cups snap smartly into place with a click. The magnets hold the cups in place well enough but (as designed) they do come off when enough force is applied. Before I realized how they were held in place, when they first popped off, I had thought I had broken/damaged them…fortunately not 😉 .

The Canfields are obviously a wired set of headphones. The headphone cable is as nicely made as the headphones themselves, soft and flexible, yet durable…wrapped in a braided tangle-free nylon.

The inline remote control is located at the union of the left and right cables with the built-in mic on the right side cable. The top button increases volume, the lower button decreases volume with the round center button controlling play/pause. I placed a few calls with the Canfield’s and the people came thru clearly and always heard me just fine.

Quick-pressing the play/pause button twice advances to the next track, while triple pressing it will go to the previous track. The remote as a whole works as you would expect.

Comfort and Styling:

Since he’s more photogenic with better hair, I volunteered the Gadgeteer Kid to be my model (tho this is his “mandatory fun with dad” look). The over-ear design sits comfortably due to the combination of padded headband, soft lambskin ear cups, and adaptive memory foam. These headphones weigh a pound but do not feel heavy, as I said. I reviewed these headphones during the heart of winter and noticed what great ear warmers they were.  Even though the Canfields do not have active noise cancelling, their over-ear design does a decent job of isolating and blocking out ambient noise.

These headphones have old world charm, simplistic styling, and eye catching quality…all the while being very nonchalant and subdued at the same.

The Canfield collection is all wired and in a world where headphone ports are becoming increasingly rare, a dongle maybe needed depending on what smart device you’re trying to connect to. The option to order (or better yet, Shinola including one in the box) a cable with a lightening or USB-C connector would be nice.

In addition to black leather and silver, the Canfield over-ear headphones are available in cognac (aka brown) and silver and polished, gloss black. Shinola also includes an On-ear and two in-ear variants in their Canfield collection as well.

Positives

  • Beautiful/gorgeous/timeless old-world styling
  • Excellent build quality
  • Superior materials (stainless steel and full grain leather)
  • Very nice listening experience

Negatives

  • Expensive
  • Not very transportable
  • Wired

Final thoughts

Even though I enjoy listening to all types of music, I am not an audiophile by any stretch of the imagination. I do not have a receiver with tubes that must warm up, own any vinyl, or have to have crazy high bit rate on my digital music but I do know what sounds good @least to me. The Canfield over-ear headphones sound great with a crisp, warm sound that is well balanced. Add in the Canfield’s excellent materials, build quality, and stylish old school design the cost of these headphones is not outrageous IMO. But on the flip side, I would agree there are many cheaper alternatives that sound just as good that are wireless with noise cancelling. It all comes down to what you’re looking for and the details that matter to you.

One more thing: Based on some of the comments my MS3 Manhattan review received and a bit of research, I’ve discovered there are many out there who either love or hate Shinola (definitely strong opinions on both sides). That said, I had no opinion either way before trying their Manhattan pocketknife or Canfield headphones but both have impressed me. I grant you both are expensive but the quality and attention to detail are excellent. Though my only wish would be that there was a wireless Canfield but hopefully that comes in the future.

Price: $595.00
Where to buy: Shinola
Source: The sample of this product was provided by Shinola.

RHA Dacamp L1 headphone amplifier and CL1 Ceramic in-ear headphone review

Few audio companies have risen as far and as fast as the Scottish Reid Heath Audio (RHA). There’s a good reason for this: RHA makes some extremely well made and great sounding earphones and (now) a headphone amp. And their quality has not been dependent on the cost—RHA’s lowest priced earphones feel as well made as their most expensive. What differentiates their products is the quality of the ingredients. Through the years, RHA has made unique items that consistently become their new flagship product—albeit at an increasing price. In 2017, RHA released two products that no only overshadowed their previous “best” earphone (T20i), but pretty much has overshadowed many competitors as well. The RHA CL1 ceramic in-ear headphone (earphone) and Dacamp L1 can be used independently from one another, but are designed to work best if used together.

What is it?

To begin, let’s look at each item separately. The Dacamp L1 is what its name says: a digital audio converter (DAC) and headphone amplifier (AMP) in one. A digital audio converter changes the digital music signal into analog, which is what you hear—you can’t hear digital.

The CL1s is an over-the-ear earphone that resembles RHA’s previous T10 and T20 designs but is made from a ceramic material rather than metal. The CL1 also contains a ceramic transducer—I’ll talk about that later in the review.

Hardware specs

RHA spared little expense with the Dacamp L1. Its case is machined, extruded and punched into the shape that you hold in your hand. The materials that make up the L1 give it a weighty, solid feel as well as help reduce signal interference. RHA has managed to fit dual digital audio converters and amps into the L1—one for the left channel, one for the right. This is how more expensive stereo separates work. You just don’t often see it in portable gear. For the geeky among us, the DAC part of the L1 uses two ESS SABRE32 ES9018K2M chips and two Class A/B amps. The chips support audio formats up to 384kHz/32bit PCM and Quad DSD (11.2MHz, DSD256). The Class A/B amps will power headphones from 12-600 ohms—which is just about any headphone available. Don’t worry if you don’t get any of this—few people do. Just know that the audio produced by this combination of chips and amps is about as good as it gets for portable gear.

The Dacamp is made to be able to convert the highest resolution digital files. Believe it or not, not all DACs can convert all digital music. Music files can be such a high enough resolution that some DACS can’t handle them.

The L1 has a 4000mAh lithium-ion battery for up to 10 hours of use with both a regular 3.5 mm headphone or a 4-pin mini XLR port. It will also charge a Smart device via a USB port.

There are Optical Line In and Line Out ports. The optical line in port will fit a 3.5 mini-toslink optical plug. I wasn’t able to test the L1 with my iMac’s mini-toslink port because, in my collection of cables, I only have a mini-toslink to (regular) toslink cable—not a mini to mini cable. Unfortunately, RHA does not supply a mini to mini cable for such a connection. At the price range, you shouldn’t be required to buy more cables.

The Line Out port is useful when other sources other than headphones are connected to the L1, such as a car stereo unit or Bluetooth speaker.

The Mini XLR connection is balanced keeping the left and right channels separate. However, if there’s an audio advantage between the two cables and connectors, I couldn’t hear it. Both sounded great.

Here is a complete list of the L1 Dacamp’s specs:

Output power (16Ω)
300mW

Output power (300Ω)
28mW

Output impedance
2.2 ohms

THD+N
>0.0018%

Dynamic range
111dB

PCM sampling frequencies
44.1 – 384kHz, 16 / 24 / 32-bit

DSD sampling frequencies
2.8224MHz (DSD64),
5.6448MHz (DSD128),
11.2896MHz (DSD256)

Input connections
3.5mm line in, USB A, USB micro-B, mini-TOSLINK Optical

Output connections
3.5mm line out, 3.5mm headphone out, 4-pin Mini XLR (balanced)

Battery
4000 mAh

Dimensions
118x73x20mm

Weight
233g

The CL1 has a dual transducer configuration—it combines a dynamic speaker (for bass and mid frequencies) with a high-frequency ceramic plate driver for better high-frequency response.

Although the CL1 is designed to be used with headphone amplifiers/DACs or more powerful and specialized digital audio players (DAP), I was able to use them connected directly to my iPhone with plenty of volume. Granted, the Dacamp L1 and other high-res sources provided better sound, but music straight from the iPhone sounded pretty good!

Here is a complete list of the CL1 earphone’s specs:

Drivers
CL Dynamic + Ceramic Plate

Sensitivity
89dB

Cables
Braided OFC (sMMCX-3.5mm), Ag4x (sMMCX-Mini XLR)

Frequency Range
16 – 45,000Hz

Rated/Max Power
10 / 50mW

Terminations
3.5mm/6.35mm, 4-pin Mini XLR

Impedance
150 ohms

Weight
14g (without cables)

What’s in the box?

The packaging befits the high-end status of both the Dacamp L1 and the CL1 earphones. The boxes are a visual match showing a silver foil x-ray view of each product on the front flap. Inside, both the L1 and CL1 are presented in a dense foam while the accessories are separately housed underneath.

Dacamp L1:

Dacamp L1
manual
short mini-USB to USB cable
short mini-USB to mini-USB cable
two bands for strapping to smartphone.

CL1 earphone:

CL1 left and right earphone
manual
4pin Mini XLR cable
3.5 mm cable
carrying case
many tips of different sizes with carrying card
1/4 in. adapter
shirt clip

Design and features

There are three knobs on the L1: Treble, bass, and gain. The treble and bass knobs are self-explanatory. They adjust those frequencies in 12 steps. Gain is a bit more complicated. It’s basically an adjustment that helps you get the most volume out of a particular headphone, depending on its sensitivity. If that’s too confusing, just leave the gain setting on high. I did.

The Dacamp L1 takes a couple of liberties for the sake of design. The Bass/treble/gain knobs work flawlessly and are well protected by an attached band of metal with cutouts revealing indicator numbers that show the knob’s individual settings. However, I cannot see the numbers without using a magnifying glass. They are that small. It’s a confounding design decision because the rest of the L1 is a joy to look at and use. The on/off/volume control is a rolling wheel that’s easy to reach without having to look at it. Note that the unit does not turn itself off after a set time of not being used. I’ve drained the battery more times then I care to admit.

The L1 fits into my hand quite well. Its aluminum exterior feels solid—if a bit cold on a winter’s day. It’s an overused cliche, but the L1 is built like a tank.

The L1 comes with two silicone bands to strap to a smartphone for a portable hi-res package. The bands are wide, which visually and tactilely blocks some of my iPhone screen, plus my iPhone 7+ is aluminum, just like the L1. When strapped together, this can lead to scratching of either or both the iPhone and L1.

The CL1 can be used as a standalone earphone, but it’s designed to be used with the L1. It comes with both a 3.5 mm mini plug and 4-pin mini XLR connector cable, which matches the L1’s ports. Wiring for either audio connection is included. What’s not included is an Apple lightning cable—an Apple charging cable is required for connection to the L1. I guess RHA figures everyone who has an iPhone also has a charging cable, but it would have been nice to include one, especially at this price but also because RHA’s products are geared more towards Apple than other brands.

The CL1’s housing is made from a seven-stage ceramic injection moulding process. The design mimics RHA’s T10 and T20 earphones but has a super-hard glossy black ceramic finish. The look of earphone is quite striking—and is a fingerprint magnet. Unlike the T10 and T20, the CL1’s cable is detachable, using RHA’s custom sMMCX connections. The cable just snaps into place once proper alignment is made. The connectors are a bit small for my aging eyes making it tough to connect on the first try. Once the connection is made, however, it holds. The 4pin Mini XLR cable (made for the L1) is silver wrapped oxygen-free copper cable (OFC) while the 3.5 mm cable is OFC without the silver coating.

The CL1 earphone hooks around the ears exactly as do the T10 and T20 earphones. This behind-the-ear design cuts down on microphonics (that annoying noise transmitted from tapping or rubbing the cable) and helps with noise isolation. Comfort was also identical—as in quite comfortable over hours of use. With the correctly sized ear tip (from the many to choose from), sound isolation is also good.

Speaking of ear tips, RHA provides an embarrassing amount of types and sizes to choose from: silicone, double-flanged and Comply foam. Unfortunately, the Comply foam tips were stuck to the interior of the sealed plastic bags they came in. When I pulled them apart, the outer layer of foam tore, making the foam tips useless. The silicone tips were fine.

By this point in the review, you may be wondering how it all sounds, especially since both the L1 and CL1 are designed to be a matched pair.

A few things became apparent when using the Dacamp L1 and CL1 together. I became curious about the L1’s power because the audio was louder when the CL1 earphone was connected directly to my iPhone 7 than connected to the Dacamp L1. When connected to the L1, I could turn both the iPhone and L1 up all the way without making myself deaf. And this is with the gain setting at Hi. Granted, It’s uncomfortably loud, but was not as loud as using just the CL1 earphone and iPhone. I don’t get it.

Despite that, audio was much more musical and involving using the L1. When I say “involving,” I simply mean it reminded me of listening to the warmth of analog records and not a cold digital file. Bass was hard-hitting and less muddy sounding while vocals were more distinct and forward sounding. I did have to boost the bass and decrease the treble knobs on the L1 because with both bass and treble set to “0”, the L1’s sound is a bit too bright for my tastes. Note that if you are a bass head, you may be disappointed. If I could just get more volume out of the L1, it would be close to perfection.

I realize that the Dacamp L1 was designed to be portable and technically, it is. However, strapping an amp to a smartphone (even if the straps are included) is not an ideal portable solution for anyone except maybe a committed audiophile. Plus the L1 weights a little more than my iPhone, so it’s like doubling the weight of what you’re carrying around. That gets cumbersome. My use of the L1 has been setting it on a desktop and connecting to my iPhone while working. But that’s me—it’s great that RHA made the L1 so that is can be used in different ways for different people.

The CL1 earphone does not have removable filters like the T10/T20, but it doesn’t matter because the default tuning of the CL1 is pretty darned neutral with a slight emphasis towards treble. While bass may seem weak at first, it’s because they’re neutral and not bass monsters! Plus, if you want a bit more bass (as I did when connected to the L1), you can just dial it up on the L1. Note that when tweaking the EQ (bass and treble knobs) on the L1, leave the iPhone EQ set to Flat.

I can’t hear any benefit to using the balanced 4-pin Mini XLR connection vs. the mini-plug. If there is one, the difference is slight enough that it really doesn’t matter. You may hear the difference—I don’t.

I’m not sure what advantage the CL1’s ceramic plate transducer produces, but the CL1 is one of the better all-round earphones available in its price range. The musical detail offered is first-rate, while still being fun to listen with. Believe it or not, sometimes earphones can be so accurate, they’re not much fun. With the CL1, RHA has managed to retain the accuracy while holding on to the fun factor—not an easy thing to do.

What I like: Dacamp L1

Built like a tank
Excellent sound quality—musically involving
Good for portable and desktop use

What needs to be improved: Dacamp L1

Setting numbers too small
Awkward for portable use
No Apple specific cable

What I like: CL1 earphone

Excellent sound quality
Detachable cables
Classy looking

What needs to be improved: CL1 earphone

A bit too bright

Final thoughts

RHA states that they have been developing the L1 for three years and it shows. Its small but solidly built and works as well with a smart device, separate digital audio player (DAP) or desktop PC. Matching it with an excellent earphone like the CL1 only sweetens the deal. RHA recently reduced the price of both the L1 and the CL1 by almost half, so even though they are still expensive, both products are now affordable, making them even more desirable as before.

Price: The Dacamp L1 sells for $299.95 US. The CL1 sells for $249.95.
Where to buy: Amazon
Source: The sample for this review was provided by RHA.

RHA T20i in-ear headphone review

A couple of years ago, I reviewed the RHA (Reid Heath Audio) T10i earphones.  I liked them for their sound quality, but mostly I like them because I could swap filters to make the earphones sound more bright, bassy or neutral, depending on what I was listening to or even my mood. It was like having 3 earphones for the price of one, which was a novelty then. Now, that’s not so unusual anymore as many earphones have replaceable audio filters. RHA has since canceled the T10 earphone and now offer the T20 and T20i. Is it worth it to upgrade from the T10?

When the T10 and T10i earphones were released, they were a departure from what RHA had previously done. The T10s were different in design and manufacturing. A new injection-molded stainless steel process used to manufacture the T10i was revolutionary and RHA has continued this process for the T20 and T20i earphones. Injection molding allows the T20i to have a more organic shape. Combine that shape with a black color and you get something that looks like it came from another world—in a good way. Plus, this organic shape fits into the ear quite comfortably. Many metal earphones sold today can be less than natural-feeling. Not these.

Note: The difference between the T20 and T20i is that the “i” model has a built-in Apple specific microphone with music controls. Also, the T20 is silver and the T20i is black. The T20i costs $10 more. Otherwise, they are identical. For simplicities’ sake, this review will use the term T20 instead of T20i. Using these controls is easy and intuitive. The mic also works quite well for phone calls. Truthfully though, I don’t use wired mics or controls all that much with earphones.

The wires from the T20 wraps around the back of the ear. This can reduce microphonics—that sound you hear when tapping on the cord. The wire has a memory when curved to fit behind the ear. It holds its shape which can help keep the T20s in place. It feels like RHA also improved on this memory wire over the T10 earphones. Its smoother feeling and holds its shape better. The T20s are not noise canceling, but they do isolate quite well.

 

Like other RHA earphones, the T20s come with an almost embarrassing array of extras. Are ten pairs of tips in many sizes and shapes enough for you? How about an aluminum tray to hold them all? Let’s not forget those three filters that can screw into a thick metal holder for safe keeping! Also included is a shirt clip and a roomy case to hold literally everything. The soft case is a zippered faux-leather material with elastic bands and a mesh pocket inside. I would have preferred a harder case at this price, but even so, it will help keep the T20s free of dust and moisture.

The tips all fit snuggly into individual slots punched out of the holding tray. As long as they stay on the tray, there is little chance of losing them. RHA improved the filter holder by simply bending it. This simple change keeps the threaded part of the small and delicate filters away from any surface reducing the chance of nicks which could make it difficult screwing them into the earphone. Ingenious.

As with the T10 earphones, the T20s come with three filters: Treble, Bass, and Reference (neutral). Each filter is self-explanatory. The filters are identical as on the T10s except that since the T20’s sound signature has changed a bit, its effect on how the filters behave is slightly different. For instance, when the bass filter is used on the T20, it is less bassy and a bit more accurate sounding than when used on the T10. The same differences are true on both the treble and reference filters, but less noticeable.

What is noticeable is the quality of the audio. The T10 earphones have a custom dynamic speaker driver that has a warm and inviting sound. This works well with modern recordings. The added accuracy of the T20s makes whatever song I’m listening to sound more refined and relaxed.

Silly audiophile terms, I know—but that’s the best way to describe it. Part of the reason for this improvement is what RHA calls a dual coil driver. RHA states that “The T20’s dual coil driver features two independent voice coils, each responsible for producing part of the frequency range for refined, high-resolution audio.” Basically, it means that the speaker can be more efficient by equally split the workload of delivering audio. Granted, the resulting difference between the older T10 and T20 is not as dramatic as one might think, but it is noticeable—especially when you listen to the T20s for a while and then go back to the T10.

The T20 requires more power to drive than the T10 earphones do. As a result, the T10s will sound a tiny bit louder than the T20s—all things being equal. However, the difference is slight and doesn’t matter much.

Boy George’s version of “The Crying Game” packs a surprising emotional punch. The bass undercurrent is just powerful enough to be felt without overpowering the mids or high frequencies. The T20s help give this song an ethereal aura that I don’t hear when compared to regular speakers. It’s an advantage good earphones can have over external audio speakers.

If the opening thunderclap from The 12” mix of Bryan Ferry’s “Slave to Love” doesn’t wake the dead, I don’t know what will. This aural assault demands that earphone speakers react quickly and then recover just as fast. It’s not an easy thing for speakers to do and usually requires expensive materials. The T20 earphones handle this pressure—letting the power of the thunder come in at full force without competing with the heavy backbeat that follows. Everything remains separate and clean sounding.

The Cars song, “Moving in Stereo” is always a fun headphone test simply because of its—well, stereo. Because this is a good test song, I can forgive the slightly tacky 80s style keyboards and electronic drums. There is both complete left/right separation as well as more subtle effects sprinkled throughout the song that the T20s bring out quite well.

“Magic Bus” from The Who’s album “Live at Leeds” rocks so hard that it’s almost a completely different song than the original from the album “Tommy.” Listening to this song on the T20 earphones makes you feel like you’re sitting in the audience right in front of the stage. Not only do the T20s let you hear every guitar string being plucked, you can also hear guitarist Pete Townsend’s mistakes as he plays, which makes this song even more fun to experience.

Positives

  • Excellent sounding
  • Three filters can tune sound
  • Improvement over T10
  • Same price as older T10 earphones
  • Well made

Negatives

  • Hard case would be better at this price

Final thoughts

With the T20i earphones, RHA has produced a worthy successor to the T10i earphones. Sometimes the improvements are subtle, sometimes more noticeable. How much improvement is noticeable depends on the song or album. The build quality is as good or better than the T10i and the black color scheme of the T20i looks cooler and more bad-a** than the silver-colored regular T20. If you already have the T10 earphones and they are still in good shape, save your money. But if you are looking to replace older earphones and want to try what RHA has to offer, you can’t go wrong with the T20 or T20i earphones.

Price: $199.95
Where to buy: RHA and Amazon
Source: The sample for this review was provided by RHA.

Premier headphones now come from Detroit thanks to Shinola

Detroit has been experiencing a resurgence of late and it’s companies like Shinola that are leading the way. Shinola makes everything from watches, bags and backpacks, bicycles and many of life’s accessories including audio gear. Now, Shinola has ventured into the personal audio market with the Canfield Headphone Collection. Shinola has spent two years engineering and fine tuning this collection using quality materials, finishes, and processes resulting in a sound signature that’s warm and expansive.

“This introduction is special,” said Shinola’s founder, Tom Kartsotis. “It speaks to our love of music and to the soul of Detroit. It is rare that one product can capture and transmit this much emotion. People always smile when they hold the headphones, feel the quality and then listen. We are so proud of this effort from our Audio team. Their tireless efforts have created a product that personifies what Shinola has come to stand for.”

The new collection will consist of four styles: The Canfield Over-Ear, The Canfield On-Ear, The Canfield In-Ear Monitor, and The Canfield Pro In-Ear Monitor.

The Canfield Over-Ear Headphones produce a clean sound that’s acoustically tuned and tested in Detroit. The Canfield Over-Ear Headphones use a 50-mm dynamic driver with a neutral frequency response to bring music to life. They feature stainless steel components, lambskin ear cushions, leather headband, and an in-line microphone. The Canfield Over-Ear Headphones come in black and cognac and retail for $595.

The Canfield On-Ear Headphones are tuned for a precise sound with their 40MM Shinola Dynamic Transducer. They feature stainless steel components, lambskin ear cushions, leather headband, and an in-line microphone. The Canfield On-Ear Headphones in black and cognac retail for $495 and the Canfield On-Ear Headphones in black PVD retail for $550.

Developed and tested with Campfire Audio out of Portland, Oregon, the Canfield In-Ear Monitors are designed to sound great for hours of comfortable use. Memory foam and silicone ear tips with a dynamic driver bring out nuances in music. The Canfield In-Ear Monitors retail for $195.

Also produced with Campfire Audio, the Canfield Pro In-Ear Monitors are powered by a quad balanced armature receiver to bring out every possible element in music. Crafted to be endlessly comfortable, the Pro In-Ear monitors allow music to sound the way musicians intended it to be heard. The Canfield Pro In-Ear Monitors retail for $495.

The Canfield Collection is available in time for holiday gift giving.

Visit Shinola for more information.

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Premier headphones now come from Detroit thanks to Shinola originally appeared on The Gadgeteer on November 18, 2017 at 8:00 am.

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